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2018-08-17T22:58:18.527Z
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In artist Sarah Meyohas‘s series Speculations, infinite tunnels are created with facing mirrors set against pastel backdrops. Smoke, flowers, and finger tips border the reflective surfaces, creating dream-like environments that pull the viewer deep into the image’s frame. Meyohas is interested in the creating a seductive quality in each of the photos. “Whether it’s the colors or the flowers drawing you in, I want viewers to feel like they’re being drawing into the void, like standing upon a precipice,” the New York City-based artist tells Sleek Magazine. You can see more of her mirrored works on Instagram. (via Contemporary Art Blog)

Earlier this summer artist Theo Jansen (previously) revealed UMINAMI, a new addition to his series of wind-powered strandbeests. The kinetic sculpture is much thinner than previous iterations, and is made without hinging joints so it does not need to be lubricated when roving along the sandy shore. The fabricated creature seems to imitate the motion of a crawling caterpillar, producing an undulating movement as it sweeps across the beach. You can watch other strandbeests in motion on Youtube. (via Laughing Squid)

Larval fish of Dendrochirus, all images copyright Ryo Minemizu

Japanese marine life photographer Ryo Minemizu focuses his lens on some of the tiniest and most abundant life forms in our oceans. His series Phenomenons explores the diverse beauty and extravagant colors of plankton, and is shot amongst the dark waters of the Osezaki sea near Mount Fuji. To capture the small creatures Minemizu sets his shutter speed to just a fraction of a second, while ensuring that his own movements don’t disturb the surrounding organisms.

“Plankton symbolize how precious life is by their tiny existence,” he explains. “I wanted other people to see them as they are in the sea, so it was my motivation from the beginning to shoot plankton underwater, which is quite a challenge. Most plankton are small, and their movements are hard to predict.”

His solo exhibition Jewels in the Night Sea begins a three-city tour at Canon Gallery in Ginza, Tokyo from August 20-29, 2018. It will then move to Cannon galleries in Nagoya and Osaka from September 6-12 and September 20-26, 2018. You can see more of Minemizu’s underwater photography on Instagram and Twitter Select prints from his Phenomenons series are available...

Fun fact: if every American wrapped just three gifts per year using reusable or reused materials, we would save enough paper to cover 45,000 football fields. And it doesn’t just have to be last week’s Sunday comics: this clever wrapping paper is the gift that keeps on giving, six times over! Each 20 x 30 inch sheet is covered with directions to turn it into a dog, frog, flower, balloon, fish, and crane. Origami Wrap is designed by ILOVEHANDLES and sold in sets of five sheets. Find it in The Colossal Shop.

 

Real Gabinete Português de Leitura, Rio de Janeiro, Brazil. All photographs © Massimo Listri / TASCHEN

Portuguese photographer Massimo Listri has spent decades traversing the globe to document the spectacular architecture, sculptural elements, and furnishings of historic libraries. His new book, The World’s Most Beautiful Libraries, includes views inside such rarefied locations as the Palafoxiana Library in Pueblo, Mexico and the Bibliothèque Sainte-Geneviève in Paris, France. Listri also includes descriptions and histories of each library. The 560-page tome is published by TASCHEN and available on Amazon and the TASCHEN website.

Klosterbibliothek Metten, Metten, Germany Bibliothèque Sainte-Geneviève, Paris, France

Creative duo Aleia Murawski and Sam Copeland build elaborate miniature sets occupied by small, slimy actors. The environments are laced with suburban nostalgia, which feature perfectly manicured lawns, plastic-coated furniture, and messy teen bedrooms littered with snack wrappers and tiny video game consoles.

The pair’s collaborative worlds are used for still images and short films. Murawski’s favorite part of shooting with snails is seeing how they interact with their sets, while also learning how to specifically direct the slow moving creatures, she explains on her Instagram. One way she and Copeland inspire certain movements while filming is by positioning cucumbers behind the sets’ tiny objects, which encourages their subjects to inch towards the hidden vegetables. The duo used this technique in their recent music video project for Bully, in which they built out an entire neighborhood and house set to outline a day-in-the-life of an extra sluggish snail.

For more slime-centered work, including this video of a motorcycle-riding snail, visit Murawski’s Instagram. You can purchase posters of the collaborative photographs on Big Cartel. (via It’s Nice That)

“Fridalandia” (2017), paper, glue and found objects, installation at the Denver Art Museum, photo by Mikayla Whitmore

Justin Favela creates colorful artworks that center around his identity as a queer Latinx artist living in the Southwestern United States. The artist’s piñata-inspired pieces reference his Mexican and Guatemalan heritage and explore elements associated with his family, pop culture, food dishes, and the art world. Each life-size installation or colorful nature-based “painting” is constructed by layering multi-colored cut paper or using the papier-mâché technique seen on the popular party object.

“I have been making a lot of work using the piñata as a medium because I see it as the perfect symbol that stands for my identity and by using it, I am reclaiming the piñata and the culture it represents,” Favela tells Colossal.

One of his large-scale lowrider piñatas was recently included in the Peterson Automotive Museum‘s exhibition The High Art of Riding Low: Ranflas, Corazón e Inspiración. You can see more of the artist’s work on Instagram.

“A Dream Dreamed in the Presence of Reason”. All photos © Christy Lee Rogers

Photographer Christy Lee Rogers produces luminous scenes of swirling figures swathed in colorful fabrics. She creates a painterly quality in her large-scale images not by using wet pigments, but rather by completely submerging her subjects in illuminated water and photographing them at night.

The works shown here are part of Rogers’ most recent series, titled ‘Muses’, which were in response to a year of personal loss. She shared in an interview that “these final images represent a soft and peaceful place that I imagine exists, where you can be free to let go and experience the beauty surrounding you.”

Rogers grew up in Hawaii and continues to shoot there, though she now lives in Nashville. Her works are exhibited widely, alongside video installations, one of which can be viewed below.  The photographer recently had a solo show at Art Labor Gallery, who will also be representing her work at the PHOTOFAIRS | Shangai, opening on September 21, 2018. You can see more from Rogers on Facebook and Vimeo. (via Booooooom)

Photos: Ephorate of Antiquities of Arta

Pebble mosaics dating from the 4th century BC have been unearthed in Greece. During excavations at the Small Theatre of Ancient Amvrakia, the floor of a 12-foot wide bathhouse was revealed. Achaeologists discovered carefully laid mosaics of swans, octopuses, and winged cherubic figures  surrounded by a spiral border. Each design was formed using smooth river pebbles in white, off-white, and dark tones, with amber and red pebbles acting as accents. The dig was conducted by the Ephorate of Antiquities, in the town of Arta, which has been occupied on and off since ancient times.

According to Archeology News Network, “the pebble floor is linked with a similar one located in an earlier excavation in the 70s and partly covered by the east part of the Small Theatre’s koilon/auditorium. This pebble floor had been removed from the site during the 1976 excavations. It depicts similar scenes with flying cupids, swans and dolphins and at present is in the storerooms of the Archaeological Museum of Arta.” (via The History Blog)

Image Credit: Dominick Bedasse

Learn about School of Visual Art’s courses, get the inside scoop on career opportunities, meet their faculty and discover the latest on what they have to offer. These special events begin at 6:30pm and are open to the general public, free of charge. All events will take place at School of Visual Arts’ campus in New York, NY.

Advertising Job Fair: Wednesday, August 29, 136 West 21st Street Street, room 418F
Computer Art: Wednesday, August 29, 133/141 West 21st Street, room 301C, 3rd floor
Design: Thursday, August 23, 209 East 23rd Street, room 311, 3rd floor
Film, Video and Animation: Wednesday, August 22, 209 East 23rd Street, room 502
Fine Arts: Tuesday, August 28, 133/141 West 21st Street, room 602C
Illustration and Cartooning: Thursday, September 6, 209 East 23rd Street, room 311, 3rd floor
Interior Design: Thursday, September 6, 133/141 West 21st Street, room 1104C, 11th floor
Photography: Thursday, August 30 /214 East 21st Street, room 205A
Visible Futures Lab: Wednesday, September 5, 132 West 21st Street, 7th floor
Visual Narrative: Wednesday, September 12, 136 West 21st Street, 11th floor

For more details on each information session please visit sva.edu/ce.

School of Visual Arts has been a leader in the education of artists, designers and creative professionals for seven decades. With a faculty of distinguished working professionals, a dynamic curriculum and an emphasis on critical thinking, SVA is...

New photographs from Slovakian artist Mária Švarbová (previously) continue her exploration of strangely melancholy poolside scenes. Coolly detached young swimmers in matching outfits are frozen in synchronized positions, a surprising diversion from the usual youthful exuberance of kids in pools. A statement on her website describes Švarbová’s unconventional work: “Maria’s postmodern vision boldly articulates a dialog that compels the viewer to respond to the mystery, loneliness, and isolation of the human experience.” The photographer has published a book of this series, titled Swimming Pool. You can see more of her work, including non-aquatic subjects, on Instagram.

Volumes is a new 4K experimental art film by artist and director Maxim Zhestkov (previously) which explores the laws of nature through the interactions of billions of spherical particles. As the digitally produced elements collide they transform into a series of brilliant colors, morphing from black and grey orbs to pink, blue, and white balls and back again. The spheres combine to create sweeping waves that disperse and meld back together in large, amorphous forms. You can view more of the director’s projects on Vimeo, Instagram, and Behance.

“Amazonian,” all images provided by Dan Lam

Dan Lam (previously) creates brightly colored sculptural blobs that appear to drip from their installation on shelves. The polyurethane foam and epoxy resin works are covered in thousands of tiny spikes which are applied using a piping bag and acrylic paint. Lam creates time-lapse videos of this application, which offer satisfying peeks into her labor-intensive process. Lam has an upcoming solo exhibition at Stephanie Chefas Projects in Portland, Oregon which opens on October 5, and will be the artist-in-residence from October 8 to November 9, 2018 at Teton Art Lab in Jackson, Wyoming. You can see more of Lam’s soft, spike-covered sculptures on her Instagram.

“Convincing”

“Damsel”

Brooklyn-based furniture designer and sculptor Matthias Pliessnig creates sumptuous, twisting benches by steam-bending hardwood. He first developed the process in 2006 while studying wooden boat building techniques at the University of Wisconsin-Madison when he realized that by flipping his boat-inspired creations over, he could use the hollow form as a sturdy bench. Once he has designed his works using Rhinoceros 3-D software, Pliessnig places a strips of wood into a tube filled with hot steam. After ten minutes the wood is malleable enough to bend into his desired shape, but only for about 30 seconds. In eight hours, the wood is fully hardened, and back to its original strength. You can see more of the designer’s undulating furniture on his Instagram.

“Pier 17” (2018), oil on canvas, 85 x 50 inches, all images via Nathan Walsh

British artist Nathan Walsh (previously) creates oil painted cityscapes by combining reference images from a range of perspectives and angles. His latest work Catching Fire was created from a combination of photographs taken during three visits to New York City over a two year period. The painting more accurately captures the feeling of Times Square rather an exact representation, presenting multiple horizon points to make the viewer feel as if they are at the center of the neon-washed environment.

In addition to taking numerous photographs of his chosen location, Walsh also spends time sketching his surroundings in a series of thumbnail drawings. “Of late I’ve found the sketchbook to be of increasing importance even for notes on color or whatever I happen to be thinking about at the time,” he tells Colossal. “This immediate personal response to the environment plays an important role when I’m back in my studio in the United Kingdom and reliant on the photographs taken.”

Once he’s decided on the subject and scale of the painting, he draws in elements in a fairly loose and intuitive way. “Freehand drawing is fundamental to all of my work, allowing...

Thai photographer Visarute Angkatavanich (previously) creates richly hued portraits that appear more like staged dance images than animal photography. It is only when staring directly at the bug-eyed expressions of his subjects that one understands they are staring at a fish and not a costumed ballerina. Angkatavanich photographs domesticated betta fish against white and black backgrounds to isolate their natural shades and present the illusion that they are moving through space. Late last year he released a book of Siamese fighting fish portraits titled Betta Paradiso. You can view more of his recent fish photography on 500px.

Credit: Wes Magyar

Breathtakingly colorful textures pop out when viewers first witness Dylan Gebbia-Richards’s large-scale paintings which appear to escape from their canvas. His rugged works mirror the structure of natural forms such as molten rock or coral. “I see my works as their own landscapes,” Gebbia-Richards tells Colossal. “I allow chance, the driving force behind all natural phenomena, to sculpt the structures of my paintings.”

Gebbia-Richards gains his inspiration from the vastness of the natural world and his artworks explore aesthetics that merge between the microscopic and macroscopic. “I find the enormity of the natural world awe-inspiring,” he esplains. “Landscapes which are immense seem intimate simultaneously; counter-intuitively these large spaces create the feeling of an embrace.”

Credit: Dylan Gebbia-Richards Credit: Thomas Meyers

While Gebbia-Richards’ paintings vary in size, all are built to engulf the viewer. “Sometimes this is very literal like in my room-sized...

Purple Kinky Calabar. All photographs © Medina Dugger

Lagos-based photographer Medina Dugger documents colorful hair culture in the coastal Nigerian city with her ongoing series Chroma. The collection of portraits pays homage to J.D. ‘Okhai Ojeikere, a renowned African photographer who documented women’s hairstyles in Nigeria for over 50 years, starting in the mid-20th century.

Prior to decolinization, Dugger explains, wigs and straightening had replaced much of the indigenous hair culture, and ‘Okhai Ojeikere’s documentations sought to celebrate traditional hairdos. She continues, “African hair braiding methods date back thousands of years and Nigerian hair culture is a rich and often extensive process which begins in childhood. The methods and variations have been influenced by social/cultural patterns, historical events and globalization. Hairdos range from being purely decorative to conveying deeper, more symbolic understandings, revealing social status, age and tribal/family traditions.”

While ‘Okhai Ojeikere’ images were in black and white, Dugger updates the documentary style with brightly colored backgrounds, a diverse array of vibrant contemporary fashion, and rainbow hues integrated into the hairstyles with thread, beads, and dyed extensions. You can see more of Dugger’s colorful editorial photography on her website and Instagram.

“Flor Chair” (2015), bronze, hand formed acid etched brass, 28.4 x 23/6 x 37.4 inches

Israeli designer Sharon Sides translates natural forms into designed objects by digitally transferring their patterns onto metal. In her series of bronze and acid-etched brass furniture titled Stumps, she utilizes the concentric rings of tree stumps to create richly textured surfaces. As a way to more deeply connect each piece to the object it is inspired by, Sides also keeps the edges of her tables and chairs as close to the stump shapes as possible, and molds the furniture’s legs to appear like twigs or branches. You can watch the design process behind Sides’s series of tree-inspired objects in the video below.

“Flor Chair” (2015), detail “Flor Chair” (2015), detail
Untitled (2016), Ed. 1/4 A/P Wood, urethane, grip tape, steel, gold plating, 15.7 x 9 x 3.7 inches. Photo credit: The Lapis Press, courtesy of the artist and Nils Stærk Gallery

Unlike Guatemalan conceptual artist Darío Escobar, most people who pass through the sporting goods section of a store would not pause to consider the accumulation of mass-produced industrial objects like soccer balls and the cultural value that they gain via those who consume them. Escobar’s sculptural works make use of balls that have had their patches removed and resewn inside out, bats that have been broken and configured to form skylines, and skateboards that have been cut into pieces and reformed using gold hinges.

“My work starts from a reflection about the industrial object, sculptures created with soccer balls, skateboards, baseball bats, etc.,” the artist said in a statement, adding that his work is about the “persistent thinking of identical objects in a sculptural operation; a new configuration of an element repeated obsessively, such as when showing a product in supermarkets or sports stores.”

Escobar says that he is inspired by the way that objects like soccer balls are collected and displayed in an attempt to make them more appealing to consumers. “The artwork also tells us about the accumulation not from the perspective...