You’ve heard Justin Bieber mangled into gorgeous ambient cascades of sound. Now, you can experience the magic of PaulStretch as a free plug-in.
It may give you that “A-ha” moment in ambient music. You know:
The developer has various warnings about using this plug-in, which for me make me want to use it even more. (Hey, no latency reporting to the DAW? Something weird in Cubase! No manual? Who cares! Let’s give it a go – first I’m going to run with scissors to grab a beer which I’ll drink at my laptop!)
The plugin is only suitable for radical transformation of sounds. It is not suitable at all for subtle time corrections and such. Ambient music and sound design are probably the most suitable use cases.
You had me at radical / not subtle.
Okay… yeah, this was probably meant for me:
You can use it two ways: either load an audio file, and just run PaulStretch in your DAW, or use it as a live processor on inputs. (That’s weird, given what it does – hey, there was some latency. Like… a whole lot of latency.)
It’s on Mac and Windows but code is available and Linux is “likely.”
If you want the original:
That does other nifty tricks, like binaural beats.
But the plug-in I think just became the easiest way to use it. Now go forth and make long sounds and chill to them.
From libraries to circuits to hacks to instructions, a lot of you are sharing the stuff you make. We’re using Ableton Loop to bring some of you together.
Ableton’s Loop festival/conference/summit is now more than just a get-together for Ableton users. It’s become a kind of international music happening. And so lots of interesting folks are gathering here in Berlin later this week.
That’s just a tiny, tiny fraction of the people reading this, though. Now, if only we could get more of you here, sort of virtually.
With that in mind, I’m going to do an open call for any kind of project you’d like to share. I’ll survey these and keep tabs on them here in CDM. And for those of us who are gathering in Berlin Sunday, we can share in person and get back to all of you through the power of the Internet.
By “open,” I mean anything that has some kind of permissive license for copying and modification, or that’s totally free. It could be a project for making contact mics or documenting how to make field recordings, too – not just software and hardware. And it doesn’t have to be Ableton-related, either – I do expect a good mix of people already at this event.
Of course, with open source tools, this is really important. Just making something open source doesn’t necessarily get people to collaborate on it. So if you want to invite users, testers, collaborators, and other feedback, you need to make connections.